Swamp Thing 32 (1986)
After the intensity of the Swamp Thing Annual #2, Moore and the story-arc tapped the breaks for a couple issues (ST 32 & 33). It’s been said that Bissette and Totleben had been falling behind on the series schedule; due to the extensive craft & detail they’d put into each book, and perhaps other professional commitments. But, it’s also not abnormal for a few filler issues between story arcs.
Editor, Karen Berger confirms this within the letters page.
This issue was illustrated by Shawn McManus while Bissette and Totleben took care of the cover.
Location: Louisiana swamp, 1 3/4 miles from Baton Rogue…
Moore creates a seemingly cute, whimsical scenario focused on a group of small space travelers who’ve been on a tireless journey to find a new “Lady” (home planet/Mother Earth). The scenario-and their new familiar looking Lady (Earth)-is not what it seems and what once felt like salvation becomes a nightmare.
The terrain seems to be suitable. The little alien crew members are restless and eager to explore what looks like an ideal environment.
It’s interesting and fun to read this issue after the barrage of chaos that occurred in the preceding Swamp Thing Annual, and issues following up to. It’d be justifiable if confused as if you’d missed an issue after Abby returned home. Swamp Thing was able to escape Hell but he’s being detained by… cute little alien creatures.
Initially, Moore’s use of Walt Kelley’s Pogo-like characters seems as random as it gets. But, Moore crafts an amazing, tender homage through the little, nature-loving creatures.
Swamp Thing and the alien, Pog are kindred spirits. Words do not need to define yearning for a sense of home or belonging; something Swamp Thing will forever struggle with. Throughout the story, Moore brilliantly reverses the translation talk bubbles. We now know what the aliens are saying and Moore has given us such a world that we understand what Swamp Thing is conveying.
Much of the story is a byproduct of the terrible realization that Earth is no home at all for the Pog and his crew. Earth is brutal like the Lady they left behind. The crudity of the humans is much like the primates they fled from. Through this seemingly brutal landscape, Moore depicts inescapable cruelty as well as environmental issues; man’s impact on the environment.
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